India

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Ghajini is not Memento!

Disclaimers:
1) Before my boredom takes over, I want to make clear that Ghajini is a decent time pass (I’ll list the USPs at the end of this post).
2) This contains a rough overview of the plot that can spoil the movie for you. There are some specifics of some scenes too.

Putting Ghajini into a genre

Ghajini is not Memento. Ghajini is the boy-meets-girl (and falls in love) story followed by boy-avenges-girl’s death rant. The non-linear unfolding of the narrative is superfluous because there is no surprise in the story and because it doesn’t serve any purpose except for tightening the pace. It’s a different movie altogether, with a different focus and a different niche, and it is entirely unnecessary to keep Memento in mind when thinking of it.

Ghajini is not Bollywood either. It has been reworked to Mumbai, but the screenplay wouldn’t have made much sense without its Southie (I think it’s called Kollywood!) motifs. For example, Asin plays the typical innocent bubbly girl with attractive simplicity (real life bimbo made larger than life on screen!). Obviously this is a character done to death in Bollywood, but they do it with a different kind of sensibility in South which you can see in this movie. The Goody Two-Shoes-ness of Asin might thus be a little jarring to the rest of India, but I am sure they will enjoy the bit where Aamir Khan subconsciously learns to drink tea in a pedestrian manner from her.

Ghajini is Kollywood in Bollywood clothes with the addition of Aamir Khan. It’s almost a scene by scene remake of the original except for a better paced and politically correct (or may be I should say cinematically correct!) ending.

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Of Lolita and constitutional incapability

Finally I own a copy of Lolita.

When we were buying books for the Library in Chennai, I had looked around for a cheap edition of Lolita. We bought one for the library, of course, but I had wanted one for myself, but there were no cheap Indian editions.

Today waiting for someone, I decided to browse a book store I frequent, a book store now which I like more because it was a very small part of the only lunch date I have ever been to, and there I spotted an edition of Lolita by Penguin. Don’t imagine the ones with glossy covers. This one has the classical green and white Penguin cover and cheap brownish paper inside. But it’s worth it. The typeface is good with sharp contrast between the text and background paper and is something I would not mind looking often at.

Only yesterday I had to borrow two short phrases from the book and had wished I could sink into the first few pages of it. Today I have the book, but the mood is not there! This is what having a girl friend does to you. It replaces your lousy loser of a world full of all sorts of abstract crap with real life experiences so that you don’t have to turn to books to feel that you are alive!

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On a Train to Mumbai

My frantic and tedious journey ended about two weeks back, but I had been either too tired or too busy with coding and gaming to take up blogging.

I got really pissed off in the mathematics camp I was attending (I would have written about that, but the place was ten kilometres away from civilisation in every direction and a computer with a decent internet connection was hard to find). I sent an SOS to Anshul, who said that I could finally come over and start my internship. I made a last minute booking and got on the first train available (it wasn’t actually available, but I got on it anyway, praying for a conformation).

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One Thousand Dollars

Sau Crore (1991) is directed by Dev Anand, and I don’t think any fan of Bollywood will need a longer introduction to the movie. I wouldn’t really have watched the movie, except that Naseeruddin Shah was in the lead, and Sunil Gavaskar was to make a special appearance along with his team.

Obviously I didn’t expect much from the movie, but it managed to surprise me. In spite of being devoid of any artistic merits, it offended my aesthetics. The movie can be seen as a forerunner to a whole generation of comedy bums that Bollywood is producing now.

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India - The New Twenty20 Champions

Dhoni celebrating India’s win in the twenty20 world cup finalWell, honestly, there is nothing I have to say on the tantalising victory of India over Pakistan in the final. The feeling of joy is too primitive and pure at the moment to be delved into. It will take a couple of days to settle down and it is only in retrospect that I will find something to say, which someone must have said somewhere already.

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Heyy Babyy - Om Shanti Om - Saawariya

Suddenly last week, very much against my wishes, I had to go to one of the places I have least wanted to visit in all my life. I was packed off with my bags in the name of holidays, and I knew I was damned if I was going to enjoy a minute of it. This is the draft I had planned to put up before I was thrown out of my room with my Nokia 6300 and a ticket to an epidemic ridden rainy patch of land that was supposed to be beautiful.

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Life is worth losing!

Unfortunately, we in India don’t have free speech. We have a nice illusion of it but reasonable free speech in India doesn’t exist. Poorly implemented unclear laws and a thriving and ever increasing number of self-appointed culture polices don’t help the situation much.

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2007 08 25

By Anshul IndiaOpinions Comments (24)

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The Interview with the Professor

Note 1: This is the official sequel to The Mail that Launched a Thousand Spams.

Note 2: To those who received the drafts - The reference to Robert Kolker was incorrect, which I discovered after going painstalkingly through his mammoth book again in an effort to quote him exactly (it contains the whole of GRE word list many times over). That would explain the delay. He said some nice insightful things though.

Note 3: This story, and its prequel, are officially declared to be ficticious accounts incorporating no characters inspired by anyone living or dead.

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